《周易》原理與中國建築美學

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Title:	《周易》原理與中國建築美學
Other Titles:	On the Chinese Architecture Aesthetics Via the Principle of “Philosophy of changes”
Authors:	賴志岳 Lai Chih-Yueh
Contributors:	魏元珪 George Wei 哲學系
Keywords:	周易哲學、中國建築美學、自然、倫理。 Philosophy of changes, Chinese architectural aesthetics, nature, ethics.
Date:	2014
Issue Date:	2015-03-23T07:09:45Z (UTC)
Abstract:	本論文藉由探討《周易》哲學在中國建築中其所蘊含之精神，可以從空間行為、建築語彙乃至整體空間串聯，淡淡地透出中國式的真、善、美，而透過真、善、美之統合，從而產生妙造自然，甚或透出「道」的美感。從哲學角度看待建築內容，以回顧古代建築精神與象徵，回應中國建築精神與環境倫理，再由周易哲學與整體中國建築藝術探討－剛柔、陰陽，技術與結構之哲學問題，庭園設計與周易哲理之契合，周易哲學影響下的中國建築美學。主要探討何謂中國建築？以建築主體為探討內容，藉由上述內容以揭開中國建築美學之妙。延伸至建築與自然之對應與倫理－與自然共生下的建築觀和建築藝術；風水學說與環境科學。主要探討如何與自然共生共存，人與建築之關係，建築與自然之關係，周易哲學在其中所形成的指導原則，影響中國建築如何融入自然，又如何與其形成一體。最終回歸至建築之倫理學與道德學之層面，研究建築品質與人文關係；周易哲學對參與人員之道德要求，與建築物對人性的影響。以層層解析卻又延續，正如中國建築中單體空間可為一小獨立之空間，卻又與整體空間環環相扣，成為一大整體，此內外、表裡合一即是中國建築精妙之處。《周易》哲學實為中國知識體系之內涵，無論為詩詞歌賦、水墨樂曲，乃至於建築園林，如果去除掉哲學理論，中國傳統美學將只會流於形式，甚且空泛。然則以中國哲學為內蘊之作品，無不涵藏空靈與神妙之精神，此乃中國美學之旨要。 We can investigate “Philosophy of changes” to see the spirit that the Chinese architecture implied, from space behavior, architectural language to overall space series connection. Softly, it reveals Chinese’s Truthfulness, Compassion, and Beauty. With the integration of Truthfulness, Compassion, and Beauty, creates nature from abstruse, even reveals “dao’s” aesthetic feeling. From philosophy’s point of view to see the architectural content, in order to review ancient architectural spirit and symbolism, responding to Chinese architectural essence and environmental ethics. Then probing philosophy of changes and overall Chinese architectural art─ philosophical problems about rigidity and flexible, ying and yang, technique, and structure. There are conjunctions between garden design and philosophy of changes. Chinese architectural aesthetics influenced by philosophy of changes. What is Chinese architecture? We use the structure’s main part as the study content, and by the following content to discover the beauty of Chinese architecture.Extending to the architecture and nature’s correspond and ethics, architectural view and architectural art that were symbiotic with nature；feng shui and environmental science. We are going to focus on how to coexistent with nature, the relationship between human and architecture, the connection between architecture and nature. The guiding principle that Philosophy of changes has formed, influenced how Chinese architecture integrated into nature, and integrally formed.Returning to architectural ethics and moral, we are going to study architectural quality and cultural tie. What’s more, the moral requests that philosophy of changes had toward participants, and the influence that architecture had on human nature. It can be resolved layer by layer, yet it goes on. Just like in a Chinese architecture, a monomer space can be seen as an independent space, but is also linked together with the overall space, forming an entirety. Being the same outside and inside is the subtlety of Chinese architecture. “Philosophy of changes” is truly the connotation of Chinese knowledge system, regardless of poems or musical composition, or even landscape architecture. Philosophy of changes removed, traditional Chinese aesthetics will be mere formality, even vague. As a result, works that intrinsic Philosophy of changes, without exception, bears an implicit of ethereal and marvelous spirit. This is the hinge of Chinese aesthetics.
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