本論文研究曹雪芹《紅樓夢》的對稱設計研究，各章節重點歸納如後。紅樓夢是不朽的文學作品，其中最出色的部分，就是它的「對稱設計」，使讀者看見了大千世界、眾生形象。無論是人物個性、情節安排、主題伏筆等等，都是「藏」、「露」不著痕跡；「虛」、「實」或隱或現。《紅樓夢》藉由甄士隱明悟了人生無常、世態炎涼。一僧一道是佛道的即覺者，用《好了歌》點破人物人世間荒誕的根本處，藉由《好了歌》來對照萬物歸空。作者運用了山水畫的藝術技巧，讓小說更添美學。對稱設計來探討《紅樓夢》寫作主題、人物、情節等安排技巧，可以更深層的了解本文。 A study of symmetric designs in “Hong Lou Meng”AbstractsThe paper research Cao Xueqin’s symmetric designs of “ Hong Lou Meng”. The emphasis of each chapter will be summarized after. “Hong Lou Meng” is an immortal literature work, the most outstanding part is its “symmetric designs”, it makes readers realize the boundless world universe, characteristic beings. No matter it’s character’s personality, plot arrange, and topic hint etc… are all “hide” “show” without trace; “unreal” “real” looming. “Hong Lou Meng” realized that life is impermanence, the world is apt to change from Zhen Shi Yin. A Monk and a Taoism is a Buddha of Buddhism, it used the song of “won” and “done” to point out the people and the world’s basic absurd, also compare that all things being empty. The writer use the skill of landscape artistic to make the book more aesthetics. The symmetrical design is to analyze the theme writing, characters and plot arrangement, it can make the readers understand the article more deeply.
